Old College Diaries – the complete (so far) PorterGirl collection with oodles of added extras an bonus material!
PLUS! Deals aplenty on the original novels. Go on. You know you want to.
Anyone who knows me at all will know that there is certainly more than one thing I can’t stand. In fact, the list of things that give me the pip is quite extensive. But the one thing I especially can’t stand today is the promotion of one’s own work, specifically the PorterGirl trilogy which I believe is released today. Or maybe tomorrow. I’m past the point of caring, quite frankly.
I should be in Florida right now, personally extolling the virtues of the world of Old College to an eager international audience. Needless to say, I am not. I am here in Blighty, drinking tea at a rate of knots whilst looking at the clock and wondering whether or not it is a decent enough hour to be opening wine. It’s not like I haven’t already gone through this charade once already this year, with Sinister Dexter. The enthusiasm to go through it all again is none existent, and this comes from a girl whose capacity for mindless enthusiasm knows no bounds.
Well-meaning friends and acquaintances offer to interview me, host me on their sites and radio shows and suggest all manner of lovely and brilliant ways to bring my latest tome to the masses. These people are wonderful and their faith in me touching, if misplaced. Which is why my polite refusals appear all the more ungrateful. Believe me, I am not ungrateful. It’s not you, it’s me.
The problem is, I really don’t want to talk about my books. I don’t want to talk about how or why I became a writer (but if you must know, I didn’t become a writer. I just am one). And it baffles me completely as to why anyone would be the remotest bit interested in my influences, where I get my inspiration or what I think about this, that, the other or even anything at all. There is not a single question any interviewer could possibly ask me right now that I would actually want to answer. Unless that question is ‘Do you fancy lunch?’
It is times like this that I question my ability – and even my desire – to be a professional writer. Don’t get me wrong, I can string together a sentence and, at times, express deep and profound things on the page that I could never hope to do in person. Writing for me is a compulsion, a kind of therapy and a source of great joy and amusement. But sometimes actually being a writer is depressing. I couldn’t tell you why, it is just how it is. What am I actually achieving, really? What good am I doing in the world? Is this really a worthy and fulfilling use of my time and skills? There is the gnawing thought that I should be applying myself to something far more worthwhile.
I imagine that over the next couple of days I shall have to put on my big girl pants and persevere with plastering on the sunny disposition for which I am so well known, joyfully announcing to anyone who will listen that I have another book out. It is what is expected of me and I am a stickler for honouring my obligations. Until then, I shall be playing music at an unsociable volume and wondering why when everything is going so right, everything feels anything but.
If you feel that this post is about more than a disgruntled reaction to literary commercialism, then you would be right. It’s okay to not always be okay. And even I am sometimes not okay. I mean, I’m okay, there’s no cause for concern. But behind the bowler hat and cheeky grin sits a real life person who occasionally has just had enough. I wrote this to get it out of my system and it helped enormously. I never intended to publish it, but I have – in case there are other people who have just had enough too, and I want those people to know that it’s okay.
I have disabled comments on this post because for once, I’d really rather not talk about it. Thank you.